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The Cosmos in a Staff : The Glory of Ọpa Ọsanyin: An Understudied Example of Great Yoruba Art : Part 2 : Interpretive Contexts

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  Abstract This essay is a brief examination of the interpretive contexts, embracing Yorùbá verbal and visual art, philosophy and spirituality, that converge in the construction and associative power of Ọpa Ọsanyin, a metal structure made up of a pole with birds clustered round it and a bird surmounting the pole or of only a single bird on top of the pole, a dramatization of the beauty of nature and its evocative force representing Ọsanyin , the Yorùbá origin Òrìsà cosmology deity of the spiritual and biological power of plants. Continued from Part 1 . Image Above Perched on a pole marked by raffia grass, the elegant bird looks out over the landscape of possibility represented by the staff of which it is the summit. Grass and its vegetative associations in relation to nature in general. The pole, upright like a tree on which a bird is perched. A tree reaching deep into Earth and towards the sky. Its branches, the possibilities of existence. Its roots, the source, its crown, the cos

The Cosmos in a Staff: The Glory of Ọpa Ọsanyin, an Understudied Example of Great Yorùbá Art Part 1: Avian Aesthetics

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  Abstract A brief examination of Ọpa Ọsanyin, a great but understudied Yorùbá sculptural form, using one example of the art, exploring its imaginative conception, technical genius and associative range beyond the universe of Yorùbá culture. The essay is enriched by images of an example of Ọpa Ọsanyin and of various kinds of birds, amplifying the ideas expressed in the text. Imaginative Conception and Expressive Skill Image Above Ọpa Ọsanyin image from Pinterest , one of the best online sources for this sculptural form. A conclave of voices, raised in adoration of the Supreme, is an idea suggested to me by this sculpture. The classical Yorùbá art form Ọpa Ọsanyin is an animal centred art, a metal structure made up of a pole with birds clustered round it and a bird surmounting the pole or of only the single bird on top of the pole. Ọpa Ọsanyin evokes birds in terms of the finest attributes, qualities suggested through the associative character of design and quality of sculptural